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The third is a limited edition super deluxe version: Two songs from Wir sind am Leben were released as singles: Both were hits in Germany, reaching No. In a review in German daily national newspaper Süddeutsche Zeitung , Tobias Dorfer indicated that Wir sind am Leben was not a blockbuster album: Edit Read in another language Wir sind am Leben. Wir sind am Leben Studio album by Rosenstolz.
Retrieved 18 October Super Deluxe Edition" in German. Retrieved 19 May Enter Rosenstolz in the field Interpret. Enter Wir sind am Leben in the field Titel. Select album in the field Format. They describe the course of a woman's love for her man, from her point of view, from first meeting through marriage to his death, and after. The setting by Schumann his opus 42 is now the most widely known. There are nine lyrics in the cycle, to which Chamisso gave the title Frauen-Liebe und Leben.
It was first published in ,  and twice in in the first editions of his poetry, and of his complete works. Schumann in his cycle did not set the final stanza of No. He also left out the last poem, No. Loewe set all nine poems in full, although only the first seven were published together.
The Schumann work has been edited and published several times since , and all the current reliable music publishers [ who?
This is a 'correct' style of written German using the ergänzungsstrich ie suspended or hanging dash in a list of things ,  although it does not accurately reflect the work's published title. Schumann composed his setting, Frauenliebe und Leben in , his year of song' in which he wrote numerous lieder and three other complete song cycles: There are eight poems in his cycle, together telling a story from the protagonist's first meeting her love, through their marriage, to his death.
Schumann's choice of text was very probably inspired in part by events in his personal life. He had been courting Clara Wieck , but had failed to get her father's permission to marry her. In , after a legal battle to make such permission unnecessary, he finally married her. The songs in this cycle are notable for the fact that the piano has a remarkable independence from the voice. Breaking away from the Schubertian ideal, Schumann has the piano contain the mood of the song in its totality.
Another notable characteristic is the cycle's circular structure, in which the last movement repeats the theme of the first. The composer's initial MS sketches, dated 11 July , are still extant.
They mostly outline the voice part on single staves, with just a few bars of piano postlude at the very end of No.
These recordings are listed on CD in Carl Loewe 's Frauenliebe , for mezzo-soprano and piano, was published as his opus 60 in Although Loewe set all nine of Chamisso's poems in September ,  only the first seven were published together during his lifetime. Franz Lachner — made a setting entitled Frauenliebe und -leben for soprano, horn or cello and piano as his Op.